{"id":1972,"date":"2018-08-25T03:07:27","date_gmt":"2018-08-25T01:07:27","guid":{"rendered":"https:\/\/www.musiklehre.at\/g7\/?p=1972"},"modified":"2018-09-11T03:15:47","modified_gmt":"2018-09-11T01:15:47","slug":"englisch-deutsch-a-musik-fachbegriffe-uebersetzt","status":"publish","type":"post","link":"https:\/\/www.musiklehre.at\/g7\/englisch-deutsch-a-musik-fachbegriffe-uebersetzt\/","title":{"rendered":"A : Musik englisch - deutsch"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

absolute pitch<\/h4>\n<\/td>\n

absolutes Geh\u00f6r<\/span><\/td>\n<\/tr>\n
\n

accent<\/h4>\n<\/td>\n

Betonung, Betonungszeichen.
\n<\/span><\/td>\n<\/tr>\n
\n

accentuation<\/h4>\n<\/td>\n

Betonung, Betonungszeichen<\/span><\/td>\n<\/tr>\n
\n

accidental to enharmonics<\/h4>\n<\/td>\n

Vorzeichen enharmonisch \u00e4ndern (z.\u00a0B. ges statt fis, wobei sich die Tonh\u00f6he nicht \u00e4ndert)<\/span><\/td>\n<\/tr>\n
\n

accidental to flats<\/h4>\n<\/td>\n

Vorzeichen zu B-Vorzeichen \u00e4ndern<\/span><\/td>\n<\/tr>\n
\n

accidental to sharps<\/h4>\n<\/td>\n

Vorzeichen zu Kreuz-Vorzeichen \u00e4ndern<\/span><\/td>\n<\/tr>\n
\n

Accidental<\/h4>\n<\/td>\n

Vorzeichen<\/span><\/td>\n<\/tr>\n
\n

accidental<\/h4>\n<\/td>\n

Vorzeichen, Versetzungszeichen<\/span><\/td>\n<\/tr>\n
\n

accompaniment<\/h4>\n<\/td>\n

Begleitung<\/span><\/td>\n<\/tr>\n
\n

Accordion<\/h4>\n<\/td>\n

Akkordeon<\/span><\/td>\n<\/tr>\n
\n

acoustic guitar<\/h4>\n<\/td>\n

Akustische Gitarre<\/span><\/td>\n<\/tr>\n
\n

acoustic<\/h4>\n<\/td>\n

akustisch<\/span><\/td>\n<\/tr>\n
\n

acoustics<\/h4>\n<\/td>\n

Akustik<\/span><\/td>\n<\/tr>\n
\n

add<\/h4>\n<\/td>\n

hinzuf\u00fcgen<\/span><\/td>\n<\/tr>\n
\n

adjust<\/h4>\n<\/td>\n

anpassen<\/span><\/td>\n<\/tr>\n
\n

advanced<\/h4>\n<\/td>\n

fortgeschrittenen, fortgeschrittener (Spieler)<\/span><\/td>\n<\/tr>\n
\n

alternate bass<\/h4>\n<\/td>\n

Wechselbass<\/span><\/td>\n<\/tr>\n
\n

Alto Clarinet<\/h4>\n<\/td>\n

Altklarinette<\/span><\/td>\n<\/tr>\n
\n

Alto Flute<\/h4>\n<\/td>\n

Altfl\u00f6te<\/span><\/td>\n<\/tr>\n
\n

Alto Saxophone<\/h4>\n<\/td>\n

Altsaxophon<\/span><\/td>\n<\/tr>\n
\n

Alto<\/h4>\n<\/td>\n

Alt<\/span><\/td>\n<\/tr>\n
\n

anticipation<\/h4>\n<\/td>\n

Vorwegnahme<\/span><\/td>\n<\/tr>\n
\n

Anvil<\/h4>\n<\/td>\n

Amboss<\/span><\/td>\n<\/tr>\n
\n

apply to…<\/h4>\n<\/td>\n

Anwenden f\u00fcr…<\/span><\/td>\n<\/tr>\n
\n

apply<\/h4>\n<\/td>\n

anpassen<\/span><\/td>\n<\/tr>\n
\n

appoggiatura<\/h4>\n<\/td>\n

Vorschlag<\/span><\/td>\n<\/tr>\n
\n

arch<\/h4>\n<\/td>\n

Bogen<\/span><\/td>\n<\/tr>\n
\n

artificial harmonics<\/h4>\n<\/td>\n

Flageolett –\u00a0Ton bei Saiteninstrumenten, durch nur leichtes Aufsetzen der Finger erzeugt.<\/span><\/td>\n<\/tr>\n
\n

ascending slur<\/h4>\n<\/td>\n

Aufschlag (Bindung)<\/span><\/td>\n<\/tr>\n
\n

attack<\/h4>\n<\/td>\n

Anschlag, Ansto\u00df<\/span><\/td>\n<\/tr>\n
\n

attributes<\/h4>\n<\/td>\n

Attribute<\/span><\/td>\n<\/tr>\n
\n

audible<\/h4>\n<\/td>\n

h\u00f6rbar<\/span><\/td>\n<\/tr>\n
\n

audience<\/h4>\n<\/td>\n

Zuh\u00f6rer, Publikum<\/span><\/td>\n<\/tr>\n
\n

augmented triad<\/h4>\n<\/td>\n

\u00fcberm\u00e4\u00dfiger Dreiklang<\/span><\/td>\n<\/tr>\n
\n

augmented<\/h4>\n<\/td>\n

\u00fcberm\u00e4\u00dfig (Intervall), vergr\u00f6\u00dfert (Notenwert)<\/span><\/td>\n<\/tr>\n
\n

auto beam<\/h4>\n<\/td>\n

automatisches Verbalken der Noten<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>\n

\"Druckansicht\"<\/a> Druckansicht<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

A – Au im Lexikon der englischen Musik-Fachw\u00f6rter: Von absolute pitch \u00fcber accompaniment und artificial harmonics bis hin zu auto beam.<\/p>\n","protected":false},"author":2,"featured_media":2412,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[371],"tags":[],"class_list":["post-1972","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musik-englisch-deutsch"],"_links":{"self":[{"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/posts\/1972","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/comments?post=1972"}],"version-history":[{"count":5,"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/posts\/1972\/revisions"}],"predecessor-version":[{"id":2100,"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/posts\/1972\/revisions\/2100"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/media\/2412"}],"wp:attachment":[{"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/media?parent=1972"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/categories?post=1972"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/tags?post=1972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}