{"id":1981,"date":"2018-08-25T03:15:17","date_gmt":"2018-08-25T01:15:17","guid":{"rendered":"https:\/\/www.musiklehre.at\/g7\/?p=1981"},"modified":"2018-09-02T11:28:06","modified_gmt":"2018-09-02T09:28:06","slug":"b-musik-fachbegriffe-englisch-deutsch","status":"publish","type":"post","link":"https:\/\/www.musiklehre.at\/g7\/b-musik-fachbegriffe-englisch-deutsch\/","title":{"rendered":"B : Musik englisch - deutsch"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\n

b<\/h4>\n<\/td>\n

englische Bezeichnung f\u00fcr den Ton h<\/span><\/td>\n<\/tr>\n
\n

back of the hand<\/h4>\n<\/td>\n

Handr\u00fccken<\/span><\/td>\n<\/tr>\n
\n

background<\/h4>\n<\/td>\n

Hintergrund<\/span><\/td>\n<\/tr>\n
\n

backslash<\/h4>\n<\/td>\n

verkehrter Schr\u00e4gstrich \\<\/span><\/td>\n<\/tr>\n
\n

bar line<\/h4>\n<\/td>\n

Taktstrich<\/span><\/td>\n<\/tr>\n
\n

bar<\/h4>\n<\/td>\n

Takt<\/span><\/td>\n<\/tr>\n
\n

Baritone Saxophone<\/h4>\n<\/td>\n

Baritonsaxophon<\/span><\/td>\n<\/tr>\n
\n

Baritone<\/h4>\n<\/td>\n

Bariton<\/span><\/td>\n<\/tr>\n
\n

barline (measure line)<\/h4>\n<\/td>\n

Taktstrich<\/span><\/td>\n<\/tr>\n
\n

barline type<\/h4>\n<\/td>\n

Taktstrich-Art<\/span><\/td>\n<\/tr>\n
\n

barr\u00e9<\/h4>\n<\/td>\n

Barr\u00e9, Quergriff<\/span><\/td>\n<\/tr>\n
\n

basic cadence<\/h4>\n<\/td>\n

Grundkadenz<\/span><\/td>\n<\/tr>\n
\n

Bass Clarinet<\/h4>\n<\/td>\n

Bassklarinette<\/span><\/td>\n<\/tr>\n
\n

Bass Flute<\/h4>\n<\/td>\n

Bassfl\u00f6te<\/span><\/td>\n<\/tr>\n
\n

Bass Saxophone<\/h4>\n<\/td>\n

Bass-Saxophon<\/span><\/td>\n<\/tr>\n
\n

bass strings<\/h4>\n<\/td>\n

Bass-Saiten<\/span><\/td>\n<\/tr>\n
\n

bass<\/h4>\n<\/td>\n

Bass<\/span><\/td>\n<\/tr>\n
\n

basso continuo<\/h4>\n<\/td>\n

Generalbass<\/span><\/td>\n<\/tr>\n
\n

Bassoon<\/h4>\n<\/td>\n

Fagott<\/span><\/td>\n<\/tr>\n
\n

beam groups<\/h4>\n<\/td>\n

Gruppe verbalken (z.\u00a0B. zwei Achtelnoten mit einem Balken verbinden)<\/span><\/td>\n<\/tr>\n
\n

beam on beat<\/h4>\n<\/td>\n

„auf den Schlag“ verbalken<\/span><\/td>\n<\/tr>\n
\n

beam<\/h4>\n<\/td>\n

Balken<\/span><\/td>\n<\/tr>\n
\n

beat<\/h4>\n<\/td>\n

Schlag, Rhythmus<\/span><\/td>\n<\/tr>\n
\n

bend<\/h4>\n<\/td>\n

(Saite) ziehen<\/span><\/td>\n<\/tr>\n
\n

bottom part<\/h4>\n<\/td>\n

Unterstimme<\/span><\/td>\n<\/tr>\n
\n

bow<\/h4>\n<\/td>\n

Bogen<\/span><\/td>\n<\/tr>\n
\n

brace (curved bracket)<\/h4>\n<\/td>\n

geschwungene Klammer, welche ein oder mehrere Notenzeilen- Systeme verbindet<\/span><\/td>\n<\/tr>\n
\n

bracket (accolade)<\/h4>\n<\/td>\n

Klammer, welche ein oder mehrere Notenzeilen- Systeme verbindet<\/span><\/td>\n<\/tr>\n
\n

brass<\/h4>\n<\/td>\n

Blechbl\u00e4ser<\/span><\/td>\n<\/tr>\n
\n

break barlines<\/h4>\n<\/td>\n

unterbreche die Taktstriche<\/span><\/td>\n<\/tr>\n
\n

break<\/h4>\n<\/td>\n

Pause<\/span><\/td>\n<\/tr>\n
\n

bridge<\/h4>\n<\/td>\n

Steg<\/span><\/td>\n<\/tr>\n
\n

broken chord<\/h4>\n<\/td>\n

gebrochener Akkord<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>\n

\"Druckansicht\"<\/a> Druckansicht<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

B im Lexikon der englischen Musik-Fachw\u00f6rter: Von bar line \u00fcber basic cadence und beam groups bis hin zu broken chord.<\/p>\n","protected":false},"author":2,"featured_media":2413,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[371],"tags":[],"class_list":["post-1981","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musik-englisch-deutsch"],"_links":{"self":[{"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/posts\/1981","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/comments?post=1981"}],"version-history":[{"count":5,"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/posts\/1981\/revisions"}],"predecessor-version":[{"id":2078,"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/posts\/1981\/revisions\/2078"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/media\/2413"}],"wp:attachment":[{"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/media?parent=1981"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/categories?post=1981"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.musiklehre.at\/g7\/wp-json\/wp\/v2\/tags?post=1981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}